So November. I think it’s safe to say that the first week of it did not play out as expected. The many long weeks since then have pretty felt just like shell-shocked aftermath. It’s anybody’s guess how exactly things will play out over the next four years, but it’s almost guaranteed to be difficult and ugly on a lot of levels.
But Thanksgiving was nice, so there is that.
Anyway, beyond the holidays — which was just me, my sister, our parents, and my sister’s cat — and politics, November was a pretty uneventful month. I read one book and thirty-two short stories, watched sixteen movies, and listened to a little music. It was that kind of month.
I read Company Town by Madeline Ashby for my monthly book group. And I didn’t much like it.
It wasn’t terrible, but I think the group largely agreed with my own assessment: there’s way too much going on in the novel, with too few of its threads connecting or being resolved. And the ending…ooh boy. It’s rare to find a book where you want many, many longer stretches of exposition just so you can better know what’s going on and who everybody is. The book’s pacing is really weird, and it really does feel like working on a mystery without any clues.
It seems to set itself up for a sequel — despite rumors it’s a one-and-done — but I don’t think I’d read more. Maybe another book by Ashby, or even a completely rewritten and expanded version of this book, but no, not a sequel.
I read thirty-two short stories in November, upping my one-a-day habit all the way up to two-a-day on a couple of occasions. (I took all of Thanksgiving week off from work.) These were my favorites:
- “Our Talons Can Crush Galaxies” by Brooke Bolander (Uncanny)
- “Kamanti’s Child” by Jennifer Marie Brissett (Uncanny)
- “The Place of Bones” by Gardner Dozois (F&SF)
- “Where I’m From, We Eat Our Parents” by John Wiswell (Daily Science Fiction)
- “Project Earth Is Leaving Beta” by J.W. Alden (Flash Fiction Online/Nature)
- “Spirit Tasting List for Ridley House, April 2016” by Rachel Acks (Shimmer)
- “Seasons of Glass and Iron” by Amal El-Mohtar (Uncanny/he Starlit Wood)
- “Migration” by Tananarive Due (Nightmare)
- “Natural Skin” by Alyssa Wong (Lightspeed)
- “A Shot of Salt Water” by Lisa L. Hannett (The Dark)
- “Story of Your Life” by Ted Chiang (Stories of Your Life and Others)
All but the last two were from 2016. I don’t set out to read current short fiction and nothing but, but it does often turn out that way. After last month, when I read a whole bunch of much older reprints, I was probably due.
- All the President’s Men:
I'm genuinely enjoying All the President's Men. It must have seemed odd to see it in '76 when it was all so fresh.
— Fred Coppersmith (@unrealfred) November 6, 2016
- I Am the Pretty Thing That Lives in the House:
I Am the Pretty Thing That Lives in the House is superb at creating mood, dread. Then deeply disappointing when it delivers nothing else.
— Fred Coppersmith (@unrealfred) November 6, 2016
- The Hitcher:
The Hitcher is pretty decent, just this side of ridiculous, but hardly a forgotten '80s classic or anything.
— Fred Coppersmith (@unrealfred) November 13, 2016
- 13th:
13th is a powerful, painful, and sadly all too vital indictment of racism and the prison industrial complex. https://t.co/z2ct0vQA3N
— Fred Coppersmith (@unrealfred) November 14, 2016
- Arrival:
Is it okay if I didn't love Arrival?
— Fred Coppersmith (@unrealfred) November 17, 2016
- The Neon Demon:
I admire the craft in The Neon Demon and a few of the performances, but it's a LOT of style for a tired (if sometimes v. disturbing) story.
— Fred Coppersmith (@unrealfred) November 20, 2016
- Sunset Boulevard:
Sunset Boulevard edges right up to self-parody and silliness, maybe even dances over the edge occasionally, but it's also quite good.
— Fred Coppersmith (@unrealfred) November 21, 2016
- Duel:
Duel isn't perfect, but for a paper-thin plot (that I knew practically all of going in), it's remarkably tense and effective.
— Fred Coppersmith (@unrealfred) November 22, 2016
- Sing Street:
It's a little silly, but Sing Street is also pretty delightful.
— Fred Coppersmith (@unrealfred) November 22, 2016
- Martin:
George Romero's Martin is more than a little rough around the edges, but it's an interesting idea and has its moments.
— Fred Coppersmith (@unrealfred) November 23, 2016
- Seven Men from Now:
Seven Men from Now isn't a flashy Western, but it's a really nice movie with some great performances.
— Fred Coppersmith (@unrealfred) November 24, 2016
- Hell or High Water:
Hell or High Water is excellent, a movie that feels richly populated, like every character we meet is another story waiting to be told.
— Fred Coppersmith (@unrealfred) November 24, 2016
- Chunking Express:
Roger Ebert called Chungking Express "largely a cerebral experience," and it is, but I think he was also right about that often working.
— Fred Coppersmith (@unrealfred) November 26, 2016
- Carnival of Souls:
Carnival of Souls isn't exactly surprising, but it gets by on atmosphere and location.
— Fred Coppersmith (@unrealfred) November 27, 2016
- My Left Foot:
My Left Foot is a pretty good movie, elevated by the performance of Daniel Day-Lewis (and of Hugh O'Conor as the young Christy Brown).
— Fred Coppersmith (@unrealfred) November 27, 2016
- Big Fan:
Big Fan lays it on a little too thick, but it's an interesting character study, and Patton Oswalt turns in a complex performance.
— Fred Coppersmith (@unrealfred) November 28, 2016