Thursday various

  • There’s water on the moon. What are we waiting for? [via]
  • I have to admit, when people talk about Doctor Who continuity, I just laugh and laugh and laugh. Case in point, the tempest in a teapot over how many regenerations the Doctor gets. Russell T. Davies, who recently changed it to 507, says:

    There’s a fascinating academic study to be made out of how some facts stick and some don’t—how Jon Pertwee’s Doctor could say he was thousands of years old, and no-one listens to that, and yet someone once says he’s only got thirteen lives, and it becomes lore. It’s really interesting, I think. That’s why I’m quite serious that that 507 thing won’t stick, because the 13 is too deeply ingrained in the public consciousness. But how? How did that get there? It’s fascinating, it’s really weird. Anyway, that’ll be my book in my retirement!

    Frankly, I sort of feel about it the same way I do when I read arguments like this, that Stephen Moffat’s characters are all Mary Sues. That’s an interesting and amusing idea, but it sort of ignores the fact that he — and in the case of the 507, Davies — is creating the show. It’s not fan fiction, it’s canon.

    And it was a canon that was ridiculously, horribly, gloriously, convoluted when they were both just fanboys watching it from behind the couch.

  • Kate Beaton on Dracula:

    Here we have Bram Stoker’s Dracula, a book written to tell ladies that if you’re not a submissive waif, society goes to hell and ungodly monsters are going to turn you into child killing horrors and someone is going to drive a bowie knife through your heart/cut off your head/etc. As you deserve! Thanks Bram! I wrote it down so as to remember it.

    There’s a little more going on it the book, but yeah, she’s not wrong.

  • Money Talks Louder Than Ever in Midterms. Looking at how campaign finance works now, thanks to decisions like Citizens United. It isn’t exactly pretty. [via]
  • And finally, Terry Gilliam’s next movie? No, not that Don Quixote adaptation he refuses to let go of? A filmette for NASCAR.

    With this and the recent Arcade Fire concert webcast — as well the opera he’s reportedly going to stage — Gilliam does seem to be picking some very weird, much smaller projects. Maybe he’s just trying to keep busy until some new kind of funding comes along?

Thursday various

  • Just what is a documentary these days?

    So the salient question might not be, “What is a documentary?” — an abstract, theoretical approach to a form that is grounded in the concrete facts of life. Instead it might make sense to ask what (or whom) a given documentary is for? Is it a goad to awareness, an incitement to action, a spur to further thought? A window? A mirror? The more you think about it, the less obvious the truth appears to be.

  • I think somewhere, in the back of my brain, I knew that Eric Stoltz had originally been cast as Marty McFly in Back to the Future — had, in fact, filmed for several weeks — but it’s still weird and kind of amazing to see the footage.
  • The Wire Monopoly? Sometimes parody edges up right up against the things we wish were real. [via]
  • Children’s picture books are apparently a dying art, thanks to parents starting kids on chapter books earlier and earlier:

    Picture books are so unpopular these days at the Children’s Book Shop in Brookline, Mass., that employees there are used to placing new copies on the shelves, watching them languish and then returning them to the publisher. [via]

  • And finally, The Doctor is now immortal. Or always was. Or whatever. I’m still a Doctor Who neophyte compared to some, but even I know “continuity” is a very slippery slope in that universe.

Tuesday various

Tuesday various

Monday various