Monday various

Wednesday various

  • A couple of weeks ago, they unveiled the new costume for NBC’s upcoming Wonder Woman series. The internet responded with the appropriate amount of disgust and horror. “I feel like my eyes are not only bleeding,” I myself wrote, “they’ve been top-coated with a carcinogenic plastic laminate.”

    Well, not to worry: NBC and producer David E. Kelley have heard our complaints and all is better now. Her boots are now red instead of blue.

  • Making Light lays out a recent timeline of Dorchester Publishing, explaining why it’s probably a good idea for writers and readers alike to stay very, very far away from them.
  • Military ranks of the British Invasion. [via]
  • “Though the efficacy of standardized testing has been hotly debated for decades, one thing has become crystal clear: It’s big business.” [via]
  • And finally, Ryan McGee on the Comedy Central Roast of Donald Trump:

    All of this proceeded banally for the first half of the show, until Sorrentino [the Situation] got up and did something that, had it been done by an Andy Kaufman, Norm MacDonald, or Zach Galifianakis, might have been called performance art. What he did was manage to stretch seven minutes of stage time into what felt like 36 hours of aural waterboarding. Trump, who was already a nearly invisible presence up until that point in the overall proceedings, receded even further as each ensuing comic opened up both barrels on The Situation, sensing blood in the water. Sorrentino’s performance will probably get the roast more publicity than anything else, but that’s part of the problem: The show clearly booked him so he’d bomb, not because he would do a good job.

    And maybe that’s fine with you, if you enjoy train wrecks that involve baby seals and orphans inside said flaming train.

Tuesday various

Wednesday various

  • When defending someone’s horribly poor choice of words, it’s probably a good idea to choose your own words a lot more carefully than this. I suppose we should be grateful the Washington Times didn’t suggest we look for a “Final Solution” to Sarah Palin’s recent troubles. [via]
  • I have mixed feelings about writing contests in general, particularly ones with entry fees. I took part in this year’s Geist Postcard Story Contest, for instance, since there’s not a lot else to do with a story that short, and the fee a) goes towards a subscription and b) helps out a really good magazine. But, in general, I tend to think money should flow towards the writer, and any story worthy of winning a contest should also be worthy of getting paid something for. (Obviously “money” and “paid” can mean a number of different things here, from actual cash to contributor copies to your name printed somewhere. It’s the principle of the thing.)

    But I absolutely think it’s writing contests like this that give the reputable ones a bad name, that leave me with my mixed feelings in the first place. Seriously, writer beware.

  • Tasha Robinson and Keith Phipps have an interesting discussion about which is worse in popular culture: blind, overenthusiastic hyperbole…or bland, unengaged apathy.
  • While A.O. Scott puts the lie to the notion that critics represent some kind of anti-populist elite:

    Speaking personally, but also out of a deep and longstanding engagement with the history and procedures of my profession, I have to say that the goal of criticism has never been to control or reflect the public taste — neither thing is possible — but rather the simpler (but also infinitely difficult) work of analyzing and evaluating works of art as honestly and independently as possible….There is a cultural elite, in America, which tries its utmost to manipulate the habits and tastes of consumers. It consists of the corporations who sell nearly everything with the possible exception of classical music and conceptual arts, and while its methods include some of the publicity-driven hype that finds its way into newspapers, magazines and other traditional media, its main tool is not criticism but marketing.

    False populism, this idea that some snobs in their ivory towers don’t want you to have any fun — or, worse, want to ram their culture, their ideals down your throat — well, that’s sort of what’s given us people like Sarah Palin, isn’t it?

  • And finally, this is how rumors get started: Twitter in a panic over Oxford Circus ‘gunman’. A “gunman” invented out of whole cloth over Twitter, it should be said. See the course of the brief panic charted here. [via]

Tuesday various