I don’t know what happened to July, but I have it on reasonably good authority that it’s over.
I went to Readercon (for the second time) last month, and while I had a really nice time and attended some great panels and readings — and bumped into some really nice people — I think I was a little out-of-sorts for a lot of the time, maybe a little under the weather, and I was definitely a less active participant than I would have liked to have been. This month, in just a couple of weeks actually, I head out to Worldcon (for the first time), and I’m committed to being friendly and more actively involved.
I don’t always do well with that, but that’s the plan. There should be lots to see there, if nothing else.
Speaking of nothing else, that’s pretty much the rest of what happened last month. There was good and there was bad, but mostly it just went by ridiculously quick.
But I read thirty-six short stories (and one two books) and saw ten movies, so there was that at least. Also just a tiny little bit of music.
- “The Last Sailing of the Henry Charles Morgan in Six Pieces of Scrimshaw (1841)” by A.C. Wise (The Dark)
- “Magnifica Angelica Superable” by Rochita Loenen-Ruiz (Lightspeed)
- “The Blameless” by Jeffrey Ford (A Natural History of Hell)
- “The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery” by Cat Valente (Beneath Ceaseless Skies)
- “Jonas and the Fox” by Rich Larson (Clarkesworld)
- “The Mountains His Crown” by Sarah Pinsker (Beneath Ceaseless Skies)
- “Sabbath Wine” by Barbara Krasnoff (Clockwork Phoenix 5)
- “Two Bright Venuses” by Alex Dally MacFarlane (Clockwork Phoenix 5)
- “Binti” by Nnedi Okorafor (Tor.com)
- “Pathways” by Nancy Kress (Clarkesworld)
- “Something Borrowed, Something Blue” by Gwendolyn Kiste (Three-Lobe Burning Eye)
ETA: I actually read two books, and I really liked the second of them…but for some reason forgot to mention it. That book was A Head Full of Ghosts by Paul Tremblay. My review over at Goodreads:
A Head Full of Ghosts by Paul Tremblay
My rating: 4 of 5 stars
I really enjoyed this. One of Tremblay’s smartest moves is his choice of narrator, the (mostly) (unintentionally) unreliable Merry. I don’t think the book would have been half as effective if not seen through her not-always-comprehending eyes. The book is maybe a little too long, and there are some small parts of the plot that seem questionable, but it’s a serious look at the horror genre, and specifically exorcism, and where evil actually comes into play. In some ways, it’s a horror novel that made me feel a little guilty about enjoying horror novels.
View all my reviews
I finished one book, which The first book I read for a monthly meetup group. And…well, I didn’t much like it. As I wrote in my Goodreads review:
Hex by Thomas Olde Heuvelt
My rating: 2 of 5 stars
I’m being generous here. It’s an interesting set-up, and one that almost works for a while, but I was actively not enjoying the book by the end. This never felt like a real place, with real people, and maybe some of that’s an artifact of the translation and moving the story to America, but it kept me at a real distance. There are plenty of disturbing ideas here, but there’s a big difference between that and haunting images, much less ones that are tied to genuine human emotion. The book creeped me out plenty, but it never scared me, despite near-constantly telling me how unbelievably scared the townspeople supposedly were. (The town might feel a mounting dread, but I rarely did as a reader.) The book has lots of upsetting images, but that’s all they are: upsetting. They don’t go any further than that. A witch with stitched-shut eyes is genuinely creepy, absolutely, but in the end she’s not used in service of an interesting story. I stumbled over a lot of the writing, thought it took way too long to tell what story it had, and by the last few chapters just didn’t care.
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- Real Life:
"Real Life" was a little dated but still quite funny.
— Fred Coppersmith (@unrealfred) July 2, 2016
- House:
House is like if Zardoz and Suspiria had a baby and dropped acid, like a lot, while it was in the womb.
— Fred Coppersmith (@unrealfred) July 3, 2016
- Spotlight:
Spotlight is very good. It might not be as good if it wasn't about such an awful and important story, but it's very tight and well acted.
— Fred Coppersmith (@unrealfred) July 4, 2016
- Lost in America:
I enjoyed Lost in America. I think I'd only ever seen the Garry Marshall Las Vegas scene before.
— Fred Coppersmith (@unrealfred) July 4, 2016
- Alfie:
Watching this, you can kind of see why Alfie made Michael Caine a star, and why nobody really talks about the movie much anymore.
— Fred Coppersmith (@unrealfred) July 7, 2016
- Harmontown:
Watching Harmontown. I don't know if I would have liked it more or less if I'd listened to the podcast, more or less if it was 2 years ago.
— Fred Coppersmith (@unrealfred) July 16, 2016
- Midnight Cowboy:
Midnight Cowboy was very good, but it's not hard to see why, when it gets discussed, it's mostly about one or two specific scenes.
— Fred Coppersmith (@unrealfred) July 17, 2016
- Everybody Wants Some:
Everybody Wants Some is a bunch of likable guys I don't really want to hang out with.
— Fred Coppersmith (@unrealfred) July 24, 2016
- Room:
I'm not 100% sure about Room as a movie, but Brie Larson and Jacob Tremblay are both really great in it.
— Fred Coppersmith (@unrealfred) July 25, 2016
- The Hidden Fortress:
Maybe not my favorite Kurosawa but The Hidden Fortress was very good. More than just the film that introduced George Lucas to the wipe edit!
— Fred Coppersmith (@unrealfred) July 31, 2016
There wasn’t much, but for the sake of completeness:
Ah, I’m sorry to hear you didn’t think well of Hex. That one’s on my wishlist, and it sure sounded like one I’d expect to enjoy. I will try lowering my expectations, if/when I ever actually get to it.
Yeah, I wish I could say I was alone in not liking the book, but almost everyone at my meetup was disappointed. It’s a fascinating premise, as is the idea that he rewrote the book to relocate it to the US. But by Heuvelt’s own admission — in a panel I saw him in at Readercon — he’s maybe more interested in the images than in what they mean, or their mechanics, and I think Hex suffered for that.
I also deeply disliked his short story “The Day the World Turned Upside Down,” but that won a Hugo last year, so clearly he has his fans.