We got movie sign

Last night, I watched How to Steal a Million, which, while enjoyably pleasant, was maybe less than you’d expect from a romantic heist movie set in Paris starring Audrey Hepburn and Peter O’Toole.

This afternoon, I re-watched 2001: A Space Odyssey, which I haven’t seen in several years. It’s still quite stunning, and a hugely important work, but it’s a movie I probably admire more than I enjoy. (I’m sort of tempted to seek out the sequel, which I remember having something of the opposite problem.)

After that, I went for a walk, then came back and watched Akira Kurosawa’s Ran. I do think I like his earlier movies, like The Seven Samurai and Yojimbo better, but there’s no denying this is much more epic and beautifully shot. Seriously, I could watch the castle attack — which this clip shows but doesn’t really do justice to — almost all day.

After that — I took a short break to go to the local diner with my parents for dinner — I watched John Carpenter’s The Ward, which I was just kind of waiting to be over. It’s really not very good, boring more than anything else, with a twist ending that almost seemed clever the first hundred times I’ve seen it in other movies. A couple of months ago, I watched Carpenter’s Prince of Darkness, which is at least interesting in its flaws. Weirdly, unshakably interesting. The Ward, on the other hand, isn’t even representative of Carpenter at his absolute, crazy worst (like the terrible In the Mouth of Madness). There’s nothing distinctive about it at all. It’s not even risibly bad; it just kind of is.

Which isn’t a great way to end the evening or a day spent mostly in movies. But there you have it.

It’s hard to believe the long weekend is almost over. There’s still tomorrow, and I don’t go back to the office on Monday, but it’ll be back to work for me soon. Of course, that’s only for a couple of weeks. When the heck did it become December already?

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