Good night, Irene

As I write this, the rain is starting to really bucket down, and the wind is picking up. I think New York has now officially met the hurricane called Irene.

It was a pretty quiet day, all told, spent mostly just waiting for the other shoe (a galosh, no doubt) to drop. To watch television news, you’d think the east coast of the United States was the only place left in the world; hurricane coverage has eclipsed everything else.

We’ve only lost power once so far, and then only briefly, and overall the weather’s not too been too bad. But this could go on and get worse throughout the night and into tomorrow. We’ll see. We’re not hunkered in the basement or anything, sandbags at the ready, if you’re worried.

It feels slightly weird packing for a trip to the Canadian Rockies amid all this, the earthquakes and hurricanes and what’s still very much summery weather here. And now I seem to have somehow been talked into a trail ride while I’m there in Banff…

I shall look upon this as a a mad adventure. I think that’s the only sensible approach.

That’s one way of putting it (round-up edition)

Nathan Rabin on Father’s Day:

[Ivan] Reitman without Bill Murray is like Superman at a Kryptonite convention: His powers are useless and the results (My Super Ex-Girlfriend, Evolution, Legal Eagles) often dire.

The AV Club on the Netflix price hikes:

It’s sort of like the movie Sophie’s Choice, which you won’t be able to watch if you pick the streaming-only plan.

Keith Phipps on Larry Crowne:

To be any flimsier, Larry Crowne would have to be projected on Kleenex.

John Scalzi on the continually changing (or not) face of the Internet:

Knowing that Angelfire and Lycos still exist in some form is like hearing that somewhere out there Matthew Perry and Lisa Kudrow are still putting on new “episodes” of Friends for anniversary parties and bar mitzvahs.

Roger Ebert on Transformers: Dark of the Moon:

I have a quaint notion that one of the purposes of editing is to make it clear why one shot follows another, or why several shots occur in the order that they do.

Jessa Crispin on X-Men: First Class:

Me: “Why are there only white people in this movie?”
Friend: “The white people are metaphors for black people.”